Italian Early Renaissance Painter, ca.1422-1492 Italian painter and theorist. His work is the embodiment of rational, calm, monumental painting in the Italian Early Renaissance, an age in which art and science were indissolubly linked through the writings of Leon Battista Alberti. Born two generations before Leonardo da Vinci, Piero was similarly interested in the scientific application of the recently discovered rules of perspective to narrative or devotional painting, especially in fresco, of which he was an imaginative master; and although he was less universally creative than Leonardo and worked in an earlier idiom, he was equally keen to experiment with painting technique. Piero was as adept at resolving problems in Euclid, whose modern rediscovery is largely due to him, as he was at creating serene, memorable figures, whose gestures are as telling and spare as those in the frescoes of Giotto or Masaccio. His tactile, gravely convincing figures are also indebted to the sculpture of Donatello, an equally attentive observer of Classical antiquity. In his best works, such as the frescoes in the Bacci Chapel in S Francesco, Arezzo, there is an ideal balance between his serene, classical compositions and the figures that inhabit them, the whole depicted in a distinctive and economical language. In his autograph works Piero was a perfectionist, creating precise, logical and light-filled images (although analysis of their perspective schemes shows that these were always subordinated to narrative effect). However, he often delegated important passages of works (e.g. the Arezzo frescoes) to an ordinary, even incompetent, assistant.   Related Paintings of Piero della Francesca :. | Adoration of the Holy Wood and the Meeting of Solomon and Queen of Sheba | st claire from the predella of the st anthony polytych | the legend of the true cross, detail | Madonna and Child Attended by Angels | the montefeltro altarpiece |
Related Artists:
Gustaf Wilhelm Palm
Swedish, 1810-1890,Swedish painter. He entered the Royal Academy of Arts in Stockholm in 1828, where he was a student of Carl Johan Fahlcrantz. Following a tour of Norway he went, via Copenhagen, to Berlin and Vienna for three years in order to seek a cure for an eye illness. He was influenced there by Biedermeier painting and Ferdinand Georg Waldm?ller, and also by the architectural painters Jakob Alt (1789-1872) and his son Rudolf Alt.
Edward Jukes Greig
b. 1839 Melbourne, Victoria Also known as E. J. G. Artist (Draughtsman), (Cartoonist / Illustrator), (Painter) Colonial Victorian painter, cartoonist and illustrator. Birth datec.1839Birth placeMelbourne, VictoriaDeath date4 October 1864Death placeSydney, New South Wales. Residence 1864 11 Crown Street, Millers Point, Sydney, New South Wales c.1860- c.1864 171 Victoria Parade, Melbourne, Victoria Active Period 1860- 1864
Heinrich Fussli
Swiss romanticist, 1741-1825